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NPR (National Public Radio) is an internationally acclaimed producer and distributor of noncommercial news, talk, and entertainment programming. A privately supported, not-for-profit membership organization, NPR serves a growing audience of 27.5 million Americans each week in partnership with more than 860 independently operated, noncommercial public radio stations.
NPR
HowStuffWorks explains thousands of topics, from engines to lock-picking to ESP, with video and illustrations so you can learn how everything works.
HowStuffWorks.com
HowStuffWorks - Learn How Everything Works!
Contemporary drama in a rural setting from the world's longest running radio soap opera.
BBC Radio 4
KCRW 89.9 FM is a Free Internet Public Radio Station of Santa Monica College, in Los Angeles, California - Streaming Live Independent Music, NPR News, and Talk
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KCRW 89.9 FM | Internet Public Radio Station Streaming Live Independent Music & NPR News Online from Los Angeles, CA - KCRW
American Public Media, a nonprofit 501(c)(3) organization, is the largest owner and operator of public radio stations and a premier producer and distributor of public radio programming in the nation. It is also the largest producer and distributor of classical music programming in the United States.
American Public Media
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WNYC 93.9 FM and AM 820 are New York's flagship public radio stations, broadcasting the finest programs from National Public Radio and Public Radio International, as well as a wide range of award-winning local programming.
Public Radio International/WNYC
PBS and our member stations are America’s largest classroom, the nation’s largest stage for the arts and a trusted window to the world. In addition, PBS's educational media helps prepare children for success in school and opens up the world to them in an age-appropriate way.
We invite you to find out more about America’s largest public media enterprise.
PBS
The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization.[3] Its website is the most popular American online newspaper website, receiving more than 30 million unique visitors per month.[4]
The New York Times
J.C. Hutchins is an award-winning fiction and nonfiction storyteller, with 15 years of professional writing experience. His two novels – 7th Son: Descent and Personal Effects: Dark Art — were published in 2009 by St. Martin’s Press.
J.C. Hutchins
I’ve been a pilot for a major U.S. Carrier since 1989. Before that I flew A-10s for the Air Force. I was stationed at RAF Bentwaters in the UK, and then at McClellan AFB in California. I left the Air Force and then we won the cold war. I think it was just a coincidence
Joe d'Eon
Arts, culture and city life from WNYC, New York Public Radio, 93.9 FM, 820 AM.
WNYC Culture
IndieFeed delivers fresh and quality-filtered music selections to audiences seeking extraordinary content experiences. Unlike mass-oriented broadcast companies, IndieFeed delivers targeted, single-serving shows optimized for desktop and mobile use, providing valuable content choices for busy quality-conscious people.
IndieFeed.com Community
- Tom Shillue Live Comedy Podcast -
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"It's all about the story" Stand Up Comedian Tom Shillue, (from the standup TV special Comedy Central Presents: Tom Shillue), lives up to his reputation as New York's best comic storyteller with these largely improvised monologues. These stories were performed in front of a live audience in NYC.
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Unintended Detours is a show about the distances we travel in life: literal or metaphorical, enthusiastically or against our will. Stories of obstacles and diversions--the places we long to get to and where we actually end up.
Unintended Detours
"It's all about the story" Stand Up Comedian Tom Shillue, (from the standup TV special Comedy Central Presents: Tom Shillue), lives up to his reputation as New York's best comic storyteller with these largely improvised monologues. These stories were performed in front of a live audience in NYC.
- Tom Shillue Live Comedy Podcast -
"Introductions" is 98.7WFMT's newest radio show featuring the Chicago area's best pre-college classical musicians.
WFMT: Introductions
The Random Variety Show Podcast (The RVSP) is an eclectic collection of thoughts, ideas, ramblings, interviews, reviews, suggestions and satire generated deep within the vast caverns of the brain of the host and creator, Charley Miller. Each biweekly episode of The RVSP features discussion and commentary; an interview conducted by the legendary Groucho Marx and a variety of guests from all reaches of life, and lastly a few nonsequitur segments that help keep the show together. Join us won’t you? You know you want to!
The Random Variety Show
A dark comedy podcast, sketches from the small hours
4amcab » podcast
A feature-length podcast celebrating the art and entertainment of cinema.
The Hollywood Gauntlet
Do you want to learn how to voice act? Does getting paid to work in voice over sound appealing? Is it your dream to play characters in animation, video games or anime? You've come to the right place! The Voice Acting Mastery podcast is your source for insider information, tips and tricks on how to become a master voice actor in the world of voice over. Hosted by voice actor Crispin Freeman, this bi-weekly podcast will give you the tools and the mindset you need to succeed in voice acting, even if you're just getting started! You'll learn vital information like: What does it take to be a voice actor? How do I break in to the business of voice over? Can I really make money as a voice actor? What sort of recording equipment do I need? How do I create a home studio? Do I need a demo? How do I find an agent? and much more! Whether you're new to voice acting or already have a career in voice over, you'll find valuable information in the Voice Acting Mastery podcast!
Voice Acting Mastery: Become a Master Voice Actor in the World of Voice Over
Quick, candid communiques that bring a burst of energy to your projects and your life. Follow the making of "It's a Good Day to Die" from script to market over 52 Tuesdays.
fearlessactress
New York Theater Reviews- Bold, Biased and Brief
Usher Nonsense Radio Queen
Octex - aka Jernej Marusich
Octex's (aka Jernej Marusich musical path started in late 90s, when he fell in love with the sound of old analog synthesizers and started conducting Organic Crackle and Tone EXperiments (Octex).
His debut album Idei Laehsna (Tehnika records, 2002) received high praises from both critics and the public and got proclaimed as one of the best post Basic Channel dub-techno releases. But always looking forward his next album Variations (rx:tx, 2005) took his experimentation even further and deeper, which confused some of his fans a little, but gained him new ones, and got him some really good reviews in the press.
In the mean time he has lent his remixing skills to the likes of Laibach, Ultra-Red, Marko Furstenberg, Spyweirdos...
2008 will see the release of new EP and his ambient album Dead Center of Nowhere, originally recorded as a sequel to Idei Lahesna, but till now never released. It will finally see the day of light as a shared release between proclaimed Thinner net label and rx:tx.
In 2003 he has received Slovenian Boomerang Award for best new comer of the year, and in both 2002 and 2003 he was selected as one of the 10 finalist for Radio France International Electronic Music Award.
His live sets have taken him all over Europe to events such as: Club Transmediale (Berlin), Sprawl (London), Dispatch (Belgrade), Exit (Novi Sad), Cynet Art (Desden), Meet Me, Progress festival...
In 2008 he will be presenting his new audio/visual performance. Having already done video for his tracks (which also ended being played on Viva, Onyx TV...) he had developed a system that allowes him to automatically sync visuals to his improvised live performances.
WEB LINK & CONTACT:
http://www.octex.si/
EMAIL: octex (at) soundoflj.com
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):
ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia.
OCTEX - aka Jernej Marušič
Co-effectuation: Maja Delak and Luka Prinčič alias Wanda & Nova deViator (text by: Tea Hvala)
The collaboration between Maja Delak and Luka Prinčič began last year with the performance Ways of Love and continued with Frozen Images – the latter was credited to pseudonyms Wanda and Nova deViator. Maja Delak is this year’s recipient of the Prešeren Foundation Award, a choreographer and dancer, who has behind her a considerable number of collaborations with different musicians, dancers, actors, and choreographers. The same goes for the musician, DJ, and intermedia artist Luka Prinčič, who first appeared as a performer precisely in the joint projects with Maja Delak, while in this exchange, Wanda picked up the microphone for the first time, wrote the lyrics for their trippy electro tracks, and also sang them.
Their projects intertwine many – often colliding – languages: rhythm, voice, music, noise; video, photography, theory; manifestoes, poetry. It seems that their reparatory investigation, this courageous picking up from all over, wagered on the possibility of their own surprise over the outcomes of their collaborative process and over what may emerge from their overlapping, dissonances, resonances, slips, and congruencies. It seems that their wager is won – as they have offered to the home audiences a new aesthetics and politics; well, at least to that part of the audience who had missed or overlooked the Ljubljana-based queer dissidents from the 80s.
Maja Delak and Luka Prinčič's performative events scream with punk ethics and kitchy porn chic aesthetics, which come together also in Western grassroots or DIY feminism of the “third wave”. I was reminded of the fact that this feminism skirted the borders of our country precisely at their appearance at the International Feminist and Queer Festival Red Dawns, where Frozen Images resonated as a genuine manifesto! It was a moment of relief and joy and empowerment, because the authors intentionally and unbendingly, passionately and sexily, approached the themes that are rarely dealt with in our space, certainly not at the same time: lust for enjoyment, anxiety, hypersexualisation and pornification of our bodies, violence, idealisation of love, and of course – the motor of everything – consumerism.
Ways of Love meander between the sampled, or temporarily “frozen”, scenes of two types of gender roles: those marked with violence and those founded on consensual submission and dominance. The insight into how to become aware of the power relations in relationships and how to break the vicious circle of violent love is disclosed in the performance precisely with the emptying of form – which could not be other than violent and painful. The second performance event, Frozen Images, raised a possibility of stirring up and overcoming the violence we exert over ourselves under the pressure of buy-and-sell images of Sex Appeal, Beauty, Health, Youth, and Success – with laughter. With lust. With objectifying to our own taste. With our own perverseness and again – with love.
This sumptuous and made-for-all-senses multimedia work by Maja Delak and Luka Prinčič is a genuine cut’n’paste, a swift image and sound collage that allows for many readings and listenings, many feelings and reflections. But only after one tears away from the fleeting images and voicings; only after one dances to the wild riot grrrl version of You Don’t Own Me, with Wanda and deViator jumping all over the stage. And this may very well be the most beautiful achievement or co-effectuation Maja Delak and Luka Prinčič’s collaboration: their accessibility and clarity – despite the work’s decentredness – makes their work is inspiring and empowering. Ultimately also because the “you” from You Don’t Own Me does not refer to a man made of flesh and blood but rather to Martell or some other corporation that imposes patriarchal patterns of behaviour for everyday use.
Wanda & Nova deViator - ZVO.ČI.TI (So.und.ing) 2010
IRENA TOMAŽIN (text by: Luka Zagoričnik)
Dancer, choreographer, performer, actress, philosopher, and vocalist Irena Tomažin made her first appearance in the area of music with the group Kapricjoke, which appeared also in the Concert Marathon organised by Radio Student. However, her most noteworthy debut presentation in the field of sound was made with a solo recital iT for voice and voice recorders, in which Tomažin ingeniously weaves the story through the primary human instrument – the voice. Hers is not a trained voice based on clear articulation and technical brilliance. Quite the contrary, its power of expression draws precisely from the failure of articulation, from its incessant attempts to constitute itself, with which it often drifts away from the field of meaning and enters the field of sound. We are dealing thus with a fragile voice, a voice in search of itself, which nevertheless has a profuse emotional and expressive potential. At the same time, it is also an alienated voice, which is – since it is recorded on dictaphones – becoming an acousmatic object, alienated from corporeality, but which is re-entering the semantically structured storyline through repetitions of sound loops and tape manipulation. Voice, a fundamental corporeal experience, is traversed by countless voices, multiplying, dissolving, and confronting their own semantic and sound resonances in space. To dramaturgically round up her (sound) narration, Irena Tomažin artfully, sometimes movingly, and sometimes playfully, employs different means: from adopting and breaking the tunes from the sphere of popular music, theatrical story-telling to playing with the words’ syllables and their rhythm, dismantling the words in the style of literary modernisms and avantgardisms of the previous century, or reducing the voice to panting, smacking, sighing. However, in so doing she is still allowing multiple voices to speak at the same time, in harmonies and cacophonies. Although her creativity can be compared to certain more visible contemporaries (such as Meredith Monk, for example), Tomažin’s performance is unique in its child-like playfulness, which is occasionally also capable of sparkly self-reflection. Although her performance ever-so-slightly implied a rather schizophrenic story of submission, which addressed the audience through multiple voices simultaneously, these voices nevertheless incessantly communicated in the in-between space of the word and condensed meaning. Recently, appearing as iT, Tomažin’s voice is dissolving from a structured and distorted one, from veiled polyphony, to a naked voice, which is ultimately left almost voiceless, residually remaining in the body, where the possibilities and the impossibility of its articulation are taken over by gesture, movement. As iT, Irena Tomažin as a matter of fact thinks voice through heterogeneous trains of thought, which intensely, via extremely personal experience, traverse one another. This discloses her experience as a philosopher who confronts her thought with other thinkers of the voice, such as, for example, Mladen Dolar or Jacques Derrida, or literature, such as, the literary thought of Samuel Beckett, or the thinking of Antonin Artaud on contemporary theatre, or the melodies of most diverse traditions. As iT, Irena Tomažin performs at home and abroad, also in important international festivals, such as Club 5 in Vienna, Dispatch in Belgrade, Densités in France, and Ultrahang in Budapest. In recent years, she has also lent her voice to free improvised music, collaborating with numerous home and foreign makers. These include the bassist Tomaž Grom, the multitalented musician Andrej Fon, the saxophonist Marko Karlovčec, and others. With the latter she also released a record ‘That Which Happens Is Itself Dripping Red’. Internationally, she is collaborating with the American brass musician Liz Allbee, the Japanese percussionist Seijiro Murayama, and others. As a dancer and performer, Tomažin collab
Irena Tomažin - ZVO.ČI.TI (So.und.ing) 2010
Music show featuring electronica and acid jazz compositions, synths, and comments about instrumentation and techniques.
UFOfarm
Exploring the life of a Christian, husband, musician, and thinker.
Romack Revealed » Podcast Feed
Watch our short demo videos to see the award-winning Drobo products in action. See how Data Robotics' BeyondRAID technology allows for the ease of storage expansion, simple disk replacement, and enterprise-class data protection from potential disk failures, all the while maintaining continuous data access.
Data Robotics Video
The electronic music of GalaxyIMP (a.k.a Patrick Salkeld) of 21 Productions!
The Music of GalaxyIMP
A biweekly, interview-based podcast featuring interesting people doing interesting things in a variety of different areas.
Tandem With The Random » podcast
A daily audio podcast which showcases the best in stand up comedy. Hosted by a ragtag group of comedy nerds, The Comedy Mixtape is the modern day version of the video store’s staff pick shelf.
The Comedy Mixtape
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