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NPR (National Public Radio) is an internationally acclaimed producer and distributor of noncommercial news, talk, and entertainment programming. A privately supported, not-for-profit membership organization, NPR serves a growing audience of 27.5 million Americans each week in partnership with more than 860 independently operated, noncommercial public radio stations.
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Quick and Dirty Tips creates and distributes digital content that offers short, actionable advice from friendly and informed authorities that will help you succeed at work and in life.
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LanguagePod101.com offers Language Learning Podcasts in Arabic, French, German, Japanese, Korean, Italian, Russian, and Spanish.
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Contemporary drama in a rural setting from the world's longest running radio soap opera.
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KCRW 89.9 FM is a Free Internet Public Radio Station of Santa Monica College, in Los Angeles, California - Streaming Live Independent Music, NPR News, and Talk
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American Public Media, a nonprofit 501(c)(3) organization, is the largest owner and operator of public radio stations and a premier producer and distributor of public radio programming in the nation. It is also the largest producer and distributor of classical music programming in the United States.
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PBS and our member stations are America’s largest classroom, the nation’s largest stage for the arts and a trusted window to the world. In addition, PBS's educational media helps prepare children for success in school and opens up the world to them in an age-appropriate way.
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The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization.[3] Its website is the most popular American online newspaper website, receiving more than 30 million unique visitors per month.[4]
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arvard Business Publishing is an idea-driven company with a commitment to improving the practice of management. We're a wholly owned subsidiary of Harvard University serving customers across three primary markets: educational institutions, corporations, and individual managers.
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Inside Purdue Landscape Architecture
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Limited Fork Music offers electronic and jazz-based experiments in sound as well as spoken experiments. Limited Fork Music is on the soothing side of the avant-garde. Limited Fork Music seeks and makes audible pulses. Limited Fork Music is also a literary poetry jukebox where the ego associated with high art has been overcome. Come here each week for the latest Limited Fork tune(s). Learn more about Limited Fork Poetics and see related video poams in the Limited Fork and Limited Fork Video Anthology podcasts.
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A short story by F. Scott Fitzgerald (1896-1940) Here is a somewhat obscure tale titled "The Curious Case of Benjamin Button" —obscure of course, until Mr. Button was conflated with Mr. Pitt. — This recording is the complete, original story as penned by Fitzgerald in the early 1920s. It was published originally in Colliers and finally collected in his popular Tales of the Jazz Age. One might call Benjamin Button an odd addition to the collection, as he was born in 1860, the year prior to Lincoln gaining his Presidency —a long way from the Jazz Age, which marked its begiining when Benjamin was 60... and he was... well, you'll have to listen to the REAL story to find out what happened before Hollywood stepped in...
The story is prefaced by Fitzgerald's brief humorous comment hidden away in the book's table of contents. Here he establishes both the tale's humor and its pathos and in a further sense, grounds it in our growing tradition of American literary sensibilities, echoing towards Mr. Clemens.
The musical accompaniment is from a public domain recording of L. Beethoven’s Cello Sonata in A, Opus 69, the fourth movement, as performed by John Michel. The piano is unattributed.
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Anton Chekhov wrote three interconnected short stories, sometimes referred to as "THE LITTLE TRILOGY." The three tales , "The Man In a Case," "Gooseberries," and "About Love," have been continually admired and read for more than a hundred years as individual stories. When read/listened to together, they reveal interrelated, reoccurring characters and themes. The three stories, recorded here in public performance, are available in two audiobook formats as well as three separate story episodes. Total audiobook length: 1 hour 32 minutes.
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John Burroughs (1837-1921) was an immensely popular writer during his lifetime. He traveled with John Muir and Teddy Roosevelt; he spent various afternoons with Thomas Edison and Walt Whitman. He was Whitman's first biographer. One might say he had, for many years, his pen on the pulse of the times. Now the times are different and Burroughs is forgotten. Still, with relaxed patience, one can experience his works as they breathe the fresh simplicities of life, especially his intimate milieu: the great outdoors, the flora and fauna, rocks, water, the air and sky —and man's place in the midst of it all.
His poetry can be grouped with his minor writings; he had clear insight into his own facility in poems, to wit, the title page of BIRD AND BOUGH, his sole volume of verse, sports a self-deprecating epigraph from a line by John Bunyan: "Some said, John, print it; others said, Not so." All of his published poetry can be found in this collection, with the exception of "My Own Should Come To Me" and "Waiting." The later, frequently anthologized, was his most well known, and liked, even today. — A PDF of the poem texts can be found as one of the episodes.
— These poems were recorded at various times and in various places through the years. Recording qualities vary.
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Public domain poetry from LibriVox volunteers reading and recording all over the planet. All Librivox recordings are in the public domain. Many hundreds of free recordings of classic poetry are available at LibriVox.org. Many more to come in this regular podcast. (Click on the "Name" column heading to sort poems by the authors' names.)
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Poul Henningsen dengang og nu - lysmageren i nyt lys. Kulturkritikeren og multikunstneren Poul Henningsen figurerer
stadig livligt i debatten, men ofte som skræmmebillede på en udefineret
’kulturradikalisme’. Han er en mand alle har meninger om,
tit på tredje hånd, hans ideer er delvis skjult af fordomme og uvidenhed,
men der er også reel uenighed om ham. Dette seminar vil
diskutere åbent og kritisk hvad han står for, og hvilken indflydelse
han har haft på dansk livsform og bevidsthed.
Seminaret vil over 12 torsdage bringe fagfolk i debat med hinanden
og med publikum for at afklare PH’s indsats og betydning. De
indkaldte kendere kommer fra historie, kunst-, teater-, arkitekturog
designhistorie, litteratur-, sprog-, film- og medievidenskab,
kvindeforskning, jura, teologi, medicin samt fra medierne og det
politiske liv. De enkelte torsdage vil behandle PH’s idéhistoriske
placering, PH som kritiker og lyriker, hans forhold til lys, arkitektur,
byplanlægning og naturfredning, til revy og jazz, slaget om
Danmarksfilmen 1935, hans kultur-, radio-, tv-kritik, hans forhold
til retsopgør og flygtningedebat 1945-47, til seksualitet, kropskultur
og kvindesag, til arbejderbevægelse, kommunisme og konservatisme,
til reklame og forbrugerkritik. Ved tre arrangementer er
indlagt sang og musik fra PH’s repertoire, og vi slutter med en paneldiskussion
om PH, folkelighed, frisind og arven fra ham, med
repræsentanter for flere kulturpolitiske positioner.
I lighed med de tidligere forelæsningsrækker Den kulturradikale
udfordring (2000) og Det stadig moderne gennembrud (2002) er
seminaret lagt som gå-hjem-arrangementer på et tidspunkt og på
en central adresse der skulle være bekvem for mange. Der er fri
adgang for alle – så længe der er plads.
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